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Grandma Moses : a good day's work
Umberger, Leslie; Griffey, Randall R.; Doss, Erika (WITH CONTRIBUTIONS BY); Harvey, Eleanor Jones (WITH CONTRIBUTIONS BY); Hollander, Stacy C. (WITH CONTRIBUTIONS BY); Jentleson, Katherine (WITH CONTRIBUTIONS BY); Kallir, Jane (WITH CONTRIBUTIONS BY)
Princeton University Press
, 2025
; English
; 273 Pages
Grandma Moses: A Good Day’s Work repositions Anna Mary Robertson “Grandma” Moses (1860–1961) as a multidimensional force in American art, whose beloved recollections of rural life earned her a distinctive place in the cultural imagination of the postwar era. Moses was eighty years old when Otto Kallir, a New York art dealer and recent émigré from Nazi-held Austria, introduced her to the world. “Grandma Moses,” as the press dubbed her, quickly became a polarizing figure, beloved by the public yet dismissed by the art world for her story-time scenes and lack of formal training.
Drawing on Moses’s reflection on her own life as “a good day’s work,” the book charts Moses’s creative development from her earliest artistic efforts to the emergence of her signature style, revealing a multidimensional artist who fused direct observation of nature, labor, and personal memories to tell idiosyncratic yet compelling stories. It positions Moses as a central figure in the history of twentieth-century American art, a painter whose life and work bore witness to the Civil War, two world wars, and the civil rights era.
Beautifully illustrated, Grandma Moses: A Good Day’s Work captures the indomitable spirit Moses brought to her artmaking, conveying a candor and authority that still resonate today with the quest for a homespun American visual tradition.
Published in association with the Smithsonian American Art Museum, Washington, DC
Umberger, Leslie; Griffey, Randall R.; Doss, Erika (WITH CONTRIBUTIONS BY); Harvey, Eleanor Jones (WITH CONTRIBUTIONS BY); Hollander, Stacy C. (WITH CONTRIBUTIONS BY); Jentleson, Katherine (WITH CONTRIBUTIONS BY); Kallir, Jane (WITH CONTRIBUTIONS BY)
Princeton University Press
, 2025
; English
; 273 Pages
Grandma Moses: A Good Day’s Work repositions Anna Mary Robertson “Grandma” Moses (1860–1961) as a multidimensional force in American art, whose beloved recollections of rural life earned her a distinctive place in the cultural imagination of the postwar era. Moses was eighty years old when Otto Kallir, a New York art dealer and recent émigré from Nazi-held Austria, introduced her to the world. “Grandma Moses,” as the press dubbed her, quickly became a polarizing figure, beloved by the public yet dismissed by the art world for her story-time scenes and lack of formal training.
Drawing on Moses’s reflection on her own life as “a good day’s work,” the book charts Moses’s creative development from her earliest artistic efforts to the emergence of her signature style, revealing a multidimensional artist who fused direct observation of nature, labor, and personal memories to tell idiosyncratic yet compelling stories. It positions Moses as a central figure in the history of twentieth-century American art, a painter whose life and work bore witness to the Civil War, two world wars, and the civil rights era.
Beautifully illustrated, Grandma Moses: A Good Day’s Work captures the indomitable spirit Moses brought to her artmaking, conveying a candor and authority that still resonate today with the quest for a homespun American visual tradition.
Published in association with the Smithsonian American Art Museum, Washington, DC
eBook
Art and citizenship in conflict : British women war artists, 1939-45
Curzon, Lucy
Manchester University Press
, 2025
; English
; 247 Pages
Art and citizenship in conflict examines how British women war artists used visual art to question, even reframe prevailing ideas about citizenship during the Second World War. Their paintings, prints, and drawings expose the sometimes-deep contradiction laying at the intersection of being a woman and being a citizen at war
Curzon, Lucy
Manchester University Press
, 2025
; English
; 247 Pages
Art and citizenship in conflict examines how British women war artists used visual art to question, even reframe prevailing ideas about citizenship during the Second World War. Their paintings, prints, and drawings expose the sometimes-deep contradiction laying at the intersection of being a woman and being a citizen at war
eBook
Finding Ella Briggs : the life and work of an unconventional architect
Stratigakos, Despina; Shapira, Elana
Princeton University Press
, 2025
; English
; 308 Pages
Ella Briggs (1880–1977) was a talented architect, designer, and writer whose influence was felt on both sides of the Atlantic. She trained with the Viennese Secessionists and brought their radical ideas to Gilded Age New York. She designed modernist housing for the masses in Austria, was jailed as a suspected spy in Mussolini’s Italy, and thrived in Weimar Germany before suffering persecution under the Nazis. Fleeing to London, she contributed to England’s postwar reconstruction. Yet despite a long and prolific career, her name is largely forgotten today. Finding Ella Briggs restores Briggs to her rightful place in the history of modernist design.
Despina Stratigakos and Elana Shapira bring together an international team of historians to provide the defining biography of this boldly unconventional designer. Whether she was fighting for integration at Europe’s architecture schools or writing about innovative houses for American women’s magazines like Good Housekeeping, Briggs embodied the transatlantic flow of modernism. This panoramic book uncovers new findings about Briggs, her networks, and projects, recovering the many facets of a life that spanned global borders and cultures.
Beautifully illustrated and drawing on a wealth of previously unpublished research from archives around the world, Finding Ella Briggs is the inspiring story of a woman who defied all obstacles to pursue her dream of designing for the modern client.
With contributions by Megan Brandow-Faller, Celina Kress, Dörte Kuhlmann, Ulrike Matzer, Christine Oertel, Eva B. Ottillinger, Barbara Penner, Sabine Plakolm-Forsthuber, Monika Platzer, Ursula Prokop, Sabrina Rahman, Katrin Stingl, Carmen Trifina, and Christine Zwingl.
Stratigakos, Despina; Shapira, Elana
Princeton University Press
, 2025
; English
; 308 Pages
Ella Briggs (1880–1977) was a talented architect, designer, and writer whose influence was felt on both sides of the Atlantic. She trained with the Viennese Secessionists and brought their radical ideas to Gilded Age New York. She designed modernist housing for the masses in Austria, was jailed as a suspected spy in Mussolini’s Italy, and thrived in Weimar Germany before suffering persecution under the Nazis. Fleeing to London, she contributed to England’s postwar reconstruction. Yet despite a long and prolific career, her name is largely forgotten today. Finding Ella Briggs restores Briggs to her rightful place in the history of modernist design.
Despina Stratigakos and Elana Shapira bring together an international team of historians to provide the defining biography of this boldly unconventional designer. Whether she was fighting for integration at Europe’s architecture schools or writing about innovative houses for American women’s magazines like Good Housekeeping, Briggs embodied the transatlantic flow of modernism. This panoramic book uncovers new findings about Briggs, her networks, and projects, recovering the many facets of a life that spanned global borders and cultures.
Beautifully illustrated and drawing on a wealth of previously unpublished research from archives around the world, Finding Ella Briggs is the inspiring story of a woman who defied all obstacles to pursue her dream of designing for the modern client.
With contributions by Megan Brandow-Faller, Celina Kress, Dörte Kuhlmann, Ulrike Matzer, Christine Oertel, Eva B. Ottillinger, Barbara Penner, Sabine Plakolm-Forsthuber, Monika Platzer, Ursula Prokop, Sabrina Rahman, Katrin Stingl, Carmen Trifina, and Christine Zwingl.
eBook
Art and intimacy in modern Italy : entangled lives
Hecker, Sharon; Kittler, Teresa
Bloomsbury Visual Arts
, 2025
; English
; 321 Pages
A much-needed corrective to the history of single authorship, this timely volume offers new insight into the lives and practices of the artist couples, friendships and communities that shaped postwar art in Italy. Bringing together a series of essays from international scholars across a variety of subject fields, the volume considers a range of longstanding intimate working relationships. Questioning the extent to which exchange formed part of artistic production, and the nature of such partnerships, the contributors explore a variety of underexplored case studies that opens to new readings of Italian art informed by key contemporary issues surrounding gender and sexuality, modern Italian identities and transcultural exchange.
In covering friendships, bi-racial, trans-cultural and familial relations, the volume adds much needed perspectives to modern Italy's social and political histories, through case studies of well-known as well as overlooked figures and creative partnerships including Mario and Marisa Merz
the de Chirico brothers, William Demby and Lucia Drudi
and Antonia and Ugo Mulas. Three sections guide the reader through different working and affective dynamics: Shadowy Presences, Ins and Outs
and Alliances. The volume explores practitioners in the visual arts, as well as art critics, institutional figures, screen and theatre writers, designers, and photographers. Rather than merely a descriptive or celebratory account of couples and partnerships in postwar Italian art, Art and Intimacy in Modern Italy asks what comes into view and what is left out when thinking about art history through this relational lens.
Hecker, Sharon; Kittler, Teresa
Bloomsbury Visual Arts
, 2025
; English
; 321 Pages
A much-needed corrective to the history of single authorship, this timely volume offers new insight into the lives and practices of the artist couples, friendships and communities that shaped postwar art in Italy. Bringing together a series of essays from international scholars across a variety of subject fields, the volume considers a range of longstanding intimate working relationships. Questioning the extent to which exchange formed part of artistic production, and the nature of such partnerships, the contributors explore a variety of underexplored case studies that opens to new readings of Italian art informed by key contemporary issues surrounding gender and sexuality, modern Italian identities and transcultural exchange.
In covering friendships, bi-racial, trans-cultural and familial relations, the volume adds much needed perspectives to modern Italy's social and political histories, through case studies of well-known as well as overlooked figures and creative partnerships including Mario and Marisa Merz
the de Chirico brothers, William Demby and Lucia Drudi
and Antonia and Ugo Mulas. Three sections guide the reader through different working and affective dynamics: Shadowy Presences, Ins and Outs
and Alliances. The volume explores practitioners in the visual arts, as well as art critics, institutional figures, screen and theatre writers, designers, and photographers. Rather than merely a descriptive or celebratory account of couples and partnerships in postwar Italian art, Art and Intimacy in Modern Italy asks what comes into view and what is left out when thinking about art history through this relational lens.
eBook
Female art and agency in Yugoslavia, 1971-2001
Foerschner, Anja
Bloomsbury Visual Arts
, 2024
; English
; 201 Pages
Despite having become marginalized on the map of contemporary art since the wars of the 1990s, the regions of former Yugoslavia continue to be a hub of creative activity. Especially noteworthy is the strong presence of women artists, scholars, and activists whose deeply personal, yet highly political artwork is rooted in a long legacy of female artistic agency. Building on existing scholarship as well as original research, this book highlights how female figures – through art and exhibition making, writing, mentorship, and activism – have shaped the alternative art scene in former Yugoslavia and placed the region firmly on the map of the international post-avantgarde.
Using the founding of the Student Cultural Center Belgrade in 1971 as a starting point, the book details the pioneering work of women in the realm of curation, where they developed radical exhibition concepts and programs that furthered the development of the New Art Practice and embedded Yugoslavia firmly on the map of the international postwar-avantgardes. It highlights the agency of female artists in the then-novel realms of performance art, video art, and new media art and shows how their work has helped these disciplines to gain the impact they retain until the present day. What is more, it shows how female cultural workers have courageously used their work to further the discourse on gender, sexuality, and the female body and, at a time when they saw themselves stripped of basic rights by the chauvinist-nationalist regimes emerging after Yugoslavia's breakup, formed a strong artistic and activist opposition.
Highlighting the role of women in the diversification of the ex-Yugoslavia states and its highly unique cultural and political landscape, this book addresses the noticeable gap in art historical scholarship that exists not only around Yugoslavia and its successor states, but especially on its female representatives.
Foerschner, Anja
Bloomsbury Visual Arts
, 2024
; English
; 201 Pages
Despite having become marginalized on the map of contemporary art since the wars of the 1990s, the regions of former Yugoslavia continue to be a hub of creative activity. Especially noteworthy is the strong presence of women artists, scholars, and activists whose deeply personal, yet highly political artwork is rooted in a long legacy of female artistic agency. Building on existing scholarship as well as original research, this book highlights how female figures – through art and exhibition making, writing, mentorship, and activism – have shaped the alternative art scene in former Yugoslavia and placed the region firmly on the map of the international post-avantgarde.
Using the founding of the Student Cultural Center Belgrade in 1971 as a starting point, the book details the pioneering work of women in the realm of curation, where they developed radical exhibition concepts and programs that furthered the development of the New Art Practice and embedded Yugoslavia firmly on the map of the international postwar-avantgardes. It highlights the agency of female artists in the then-novel realms of performance art, video art, and new media art and shows how their work has helped these disciplines to gain the impact they retain until the present day. What is more, it shows how female cultural workers have courageously used their work to further the discourse on gender, sexuality, and the female body and, at a time when they saw themselves stripped of basic rights by the chauvinist-nationalist regimes emerging after Yugoslavia's breakup, formed a strong artistic and activist opposition.
Highlighting the role of women in the diversification of the ex-Yugoslavia states and its highly unique cultural and political landscape, this book addresses the noticeable gap in art historical scholarship that exists not only around Yugoslavia and its successor states, but especially on its female representatives.
eBook
Mary Kelly’s concentric pedagogy : selected writings
Kelly, Mary; Carson, Juli
Bloomsbury Publishing
, 2024
; English
; 337 Pages
Selected and introduced by Juli Carson, this book presents a collection of essential essays, interviews, and never-before published archival materials that trace the development of the teaching of major artist and thinker Mary Kelly, from 1980-2017.As an artist and a theorist, Kelly is known for her foundational contributions to Feminism and Conceptual Art; she is also revered for her innovative pedagogy, which has influenced countless artists, writers and teachers within the international art community.
Her description of a feminist practice of concentric pedagogy, centred on the artwork rather the mastery of the teacher, radically changed teaching practice in art studios.Detailing Kelly's innovative pedagogical program, the essays are split into three sections: The Method, which focuses on Kelly's renowned method of ethical observation within studio critique; The Project, which explores her notion of what constitutes an artistic project; and Project and Method in the Field which presents, for the first time, a transcription of On the Passage of a Few People though a Rather Brief Period of Time, a performative colloquy commissioned by the Tate Modern and moderated by Kelly in 2015; following this transcription is a portfolio of practicing artists previously enrolled in Kelly's Interdisciplinary Studio Area at UCLA.Mary Kelly's Concentric Pedagogy highlights how contemporary studio teaching practice has been largely informed by Kelly's bold and innovative approach to art pedagogy, evidencing how the intersection of teaching, artistic practice, and radical political engagement can transform our approach to all three.
It is essential reading for students and teachers of art and design studio practice, art history and theory, contemporary, and feminist art.
Kelly, Mary; Carson, Juli
Bloomsbury Publishing
, 2024
; English
; 337 Pages
Selected and introduced by Juli Carson, this book presents a collection of essential essays, interviews, and never-before published archival materials that trace the development of the teaching of major artist and thinker Mary Kelly, from 1980-2017.As an artist and a theorist, Kelly is known for her foundational contributions to Feminism and Conceptual Art; she is also revered for her innovative pedagogy, which has influenced countless artists, writers and teachers within the international art community.
Her description of a feminist practice of concentric pedagogy, centred on the artwork rather the mastery of the teacher, radically changed teaching practice in art studios.Detailing Kelly's innovative pedagogical program, the essays are split into three sections: The Method, which focuses on Kelly's renowned method of ethical observation within studio critique; The Project, which explores her notion of what constitutes an artistic project; and Project and Method in the Field which presents, for the first time, a transcription of On the Passage of a Few People though a Rather Brief Period of Time, a performative colloquy commissioned by the Tate Modern and moderated by Kelly in 2015; following this transcription is a portfolio of practicing artists previously enrolled in Kelly's Interdisciplinary Studio Area at UCLA.Mary Kelly's Concentric Pedagogy highlights how contemporary studio teaching practice has been largely informed by Kelly's bold and innovative approach to art pedagogy, evidencing how the intersection of teaching, artistic practice, and radical political engagement can transform our approach to all three.
It is essential reading for students and teachers of art and design studio practice, art history and theory, contemporary, and feminist art.
eBook
Nineteenth-century women illustrators and cartoonists
Devereux, Joanna
Manchester University Press
, 2023
; English
; 332 Pages
Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.
Devereux, Joanna
Manchester University Press
, 2023
; English
; 332 Pages
Nineteenth-century women illustrators and cartoonists provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women’s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture.
eBook
Rosa Bonheur. An Unconventional Path
Charles, Vicky
Parkstone International
, 2023
; English
; 200 Pages
Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle markets in Paris to achieve anatomically correct likenesses. Her 1853 masterpiece, The Horse Fair, brought her worldwide recognition, and she was the first female artist to be awarded the cross of the Legion of Honour in France. She retired at the edge of the Fontainbleu Forest with a menagerie that included gazelles, lions and other exotic animals.
Charles, Vicky
Parkstone International
, 2023
; English
; 200 Pages
Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle markets in Paris to achieve anatomically correct likenesses. Her 1853 masterpiece, The Horse Fair, brought her worldwide recognition, and she was the first female artist to be awarded the cross of the Legion of Honour in France. She retired at the edge of the Fontainbleu Forest with a menagerie that included gazelles, lions and other exotic animals.
eBook
Carter, Ruth E.
Chronicle Books LLC
, 2023
; English
; 155 Pages
The definitive, deluxe art book from costume design legend Ruth E. Carter.
Ruth E. Carter is a living legend of costume design. For three decades, she has shaped the story of the Black experience on screen—from the '80s streetwear of Do the Right Thing to the royal regalia of Coming 2 America. Her work on Marvel's Black Panther not only brought Afrofuturism to the mainstream, but also made her the first Black winner of an Oscar in costume design. In 2021, she became the second-ever costume designer to receive a star on the Hollywood Walk of Fame.
In this definitive book, Carter shares her origins—recalling a trip to the sporting goods store with Spike Lee to outfit the School Daze cast and a transformative moment stepping inside history on the set of Steven Spielberg's Amistad. She recounts anecdotes from dressing the greats: Eddie Murphy, Samuel L. Jackson, Angela Bassett, Halle Berry, Chadwick Boseman, and many more. She describes the passion for history that inspired her period pieces—from Malcolm X to What's Love Got to Do With It—and her journey into Afrofuturism.
Carter's wisdom and stories are paired with deluxe visuals, including sketches, mood boards, and film stills. Danai Gurira, beloved for her portrayal of Okoye in Black Panther, has contributed a foreword. Fans will even get a glimpse behind the scenes of the sequel Black Panther: Wakanda Forever.
At its core, Carter's oeuvre celebrates Black heroes and sheroes, whether civil rights leaders or Wakandan warriors. She has brought the past to life and helped us imagine a brighter future. This book is sure to inspire the next generation of artists and storytellers.
MAJOR ICON: Ruth E. Carter is behind some of the most iconic costumes on screen, not least the opulent Black Panther looks that won her an Oscar. She's worked with some of the biggest names in cinema, from Spike Lee to Ava DuVernay. Her popularity goes beyond those interested in fashion and film—she is also a role model for women of color and creative entrepreneurs.
INCREDIBLE VISUALS: This gorgeous book includes an amazing array of images. Film stills reveals the details that make Carter's costumes so special. Sketches and mood boards illuminate her artistic process and the way she collaborates with actors, directors, and other fellow crew members. This book is a feast for the eyes.
COMPELLING STORY: Taken as a whole, Carter's three-decade career is not just a collection of great films
it tells a story. Whether comedies or period pieces, biopics or superhero blockbusters, her films have shaped the narrative of the Black experience in American cinema.
BEHIND THE SCENES OF BLACK PANTHER: WAKANDA FOREVER: The book will include a chapter on the sequel to Black Panther, which was the top-grossing superhero film at the time of its release. Fans will love seeing behind the scenes of the original and the new movie, discovering the artistry and passion that went into creating Wakanda.
Perfect for:
• Fans of Ruth E. Carter, Black Panther, Spike Lee, and all the icons of Black Hollywood
• Art, fashion, and film students
• Young women and Black creatives looking for inspiration
• Followers of Hollywood fashion trends and devotees of costume and clothing design
• Film buffs building their coffee table book collection
Carter, Ruth E.
Chronicle Books LLC
, 2023
; English
; 155 Pages
The definitive, deluxe art book from costume design legend Ruth E. Carter.
Ruth E. Carter is a living legend of costume design. For three decades, she has shaped the story of the Black experience on screen—from the '80s streetwear of Do the Right Thing to the royal regalia of Coming 2 America. Her work on Marvel's Black Panther not only brought Afrofuturism to the mainstream, but also made her the first Black winner of an Oscar in costume design. In 2021, she became the second-ever costume designer to receive a star on the Hollywood Walk of Fame.
In this definitive book, Carter shares her origins—recalling a trip to the sporting goods store with Spike Lee to outfit the School Daze cast and a transformative moment stepping inside history on the set of Steven Spielberg's Amistad. She recounts anecdotes from dressing the greats: Eddie Murphy, Samuel L. Jackson, Angela Bassett, Halle Berry, Chadwick Boseman, and many more. She describes the passion for history that inspired her period pieces—from Malcolm X to What's Love Got to Do With It—and her journey into Afrofuturism.
Carter's wisdom and stories are paired with deluxe visuals, including sketches, mood boards, and film stills. Danai Gurira, beloved for her portrayal of Okoye in Black Panther, has contributed a foreword. Fans will even get a glimpse behind the scenes of the sequel Black Panther: Wakanda Forever.
At its core, Carter's oeuvre celebrates Black heroes and sheroes, whether civil rights leaders or Wakandan warriors. She has brought the past to life and helped us imagine a brighter future. This book is sure to inspire the next generation of artists and storytellers.
MAJOR ICON: Ruth E. Carter is behind some of the most iconic costumes on screen, not least the opulent Black Panther looks that won her an Oscar. She's worked with some of the biggest names in cinema, from Spike Lee to Ava DuVernay. Her popularity goes beyond those interested in fashion and film—she is also a role model for women of color and creative entrepreneurs.
INCREDIBLE VISUALS: This gorgeous book includes an amazing array of images. Film stills reveals the details that make Carter's costumes so special. Sketches and mood boards illuminate her artistic process and the way she collaborates with actors, directors, and other fellow crew members. This book is a feast for the eyes.
COMPELLING STORY: Taken as a whole, Carter's three-decade career is not just a collection of great films
it tells a story. Whether comedies or period pieces, biopics or superhero blockbusters, her films have shaped the narrative of the Black experience in American cinema.
BEHIND THE SCENES OF BLACK PANTHER: WAKANDA FOREVER: The book will include a chapter on the sequel to Black Panther, which was the top-grossing superhero film at the time of its release. Fans will love seeing behind the scenes of the original and the new movie, discovering the artistry and passion that went into creating Wakanda.
Perfect for:
• Fans of Ruth E. Carter, Black Panther, Spike Lee, and all the icons of Black Hollywood
• Art, fashion, and film students
• Young women and Black creatives looking for inspiration
• Followers of Hollywood fashion trends and devotees of costume and clothing design
• Film buffs building their coffee table book collection
eBook
Trailblazing women printmakers : Virginia Lee Burton demetrios and the folly cove designers
Sarni, Elena M.
Princeton Architectural Press
, 2023
; English
; 227 Pages
A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.
The Folly Cove Designers (officially 1941-1969) was a grassroots collective of predominantly women block printers founded by Caldecott Award-winner and beloved children's book author/illustrator Virginia Lee Burton Demetrios (of Mike Mulligan and His Steam Shovel fame).
This trailblazing Gloucester, MA–based group produced more than three hundred distinct designs, which they block printed on fabric. The designs conveyed personal and regional narratives through the use of shared design principles and the compelling language of pattern. The group was propelled to international fame through commercial contracts with major retailers (F. Schumacher, Lord & Taylor, etc.), articles in leading periodicals such as Life, and participation in seminal fine craft exhibitions. Their work continues to inspire contemporary printmakers around the globe, particularly women printmakers.
As the first comprehensive history of the Folly Cove Designers, Trailblazing Women Printmakers documents and celebrates the group's tremendous success and the incredible artistry of its members. With more than 250 black-and-white and color photographs, author Elena M. Sarni explores the Folly Cove Designers' history, work, and group dynamics.
Sarni, Elena M.
Princeton Architectural Press
, 2023
; English
; 227 Pages
A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.
The Folly Cove Designers (officially 1941-1969) was a grassroots collective of predominantly women block printers founded by Caldecott Award-winner and beloved children's book author/illustrator Virginia Lee Burton Demetrios (of Mike Mulligan and His Steam Shovel fame).
This trailblazing Gloucester, MA–based group produced more than three hundred distinct designs, which they block printed on fabric. The designs conveyed personal and regional narratives through the use of shared design principles and the compelling language of pattern. The group was propelled to international fame through commercial contracts with major retailers (F. Schumacher, Lord & Taylor, etc.), articles in leading periodicals such as Life, and participation in seminal fine craft exhibitions. Their work continues to inspire contemporary printmakers around the globe, particularly women printmakers.
As the first comprehensive history of the Folly Cove Designers, Trailblazing Women Printmakers documents and celebrates the group's tremendous success and the incredible artistry of its members. With more than 250 black-and-white and color photographs, author Elena M. Sarni explores the Folly Cove Designers' history, work, and group dynamics.
