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eBook
Women art dealers : creating markets for modern art, 1940-1990
Chagnon-Burke, Véronique; Toschi, Caterina; Brown, Kathryn (Series Editor)
Bloomsbury Visual Arts
, 2023
; English
; 333 Pages
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market.
Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets – through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal.
Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.
Chagnon-Burke, Véronique; Toschi, Caterina; Brown, Kathryn (Series Editor)
Bloomsbury Visual Arts
, 2023
; English
; 333 Pages
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market.
Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets – through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal.
Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.
eBook
Bracken, Susan; Turpin, Adriana
Bloomsbury Visual Arts
, 2021
; English
; 417 Pages
"The case studies provided in this manuscript, based on letters and detailed archival research, nuance the history of the art market and the role of the collector within it. Using letters, diaries, account books and other archival sources, the essays show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, setting out the art market in the period concerned and the ways in which agents functioned, making it an invaluable tool for those who wish a broader introduction to the intricate workings of the art market"
Bracken, Susan; Turpin, Adriana
Bloomsbury Visual Arts
, 2021
; English
; 417 Pages
"The case studies provided in this manuscript, based on letters and detailed archival research, nuance the history of the art market and the role of the collector within it. Using letters, diaries, account books and other archival sources, the essays show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, setting out the art market in the period concerned and the ways in which agents functioned, making it an invaluable tool for those who wish a broader introduction to the intricate workings of the art market"
eBook
Pioneers of the global art market : Paris-based dealer networks, 1850-1950
Force, Christel H.
Bloomsbury Visual Arts
, 2021
; English
; 321 Pages
By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe.
Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.
Force, Christel H.
Bloomsbury Visual Arts
, 2021
; English
; 321 Pages
By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city's galleries capitalized on foreign collectors' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe.
Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.
eBook
Old masters worldwide : markets, movements and museums, 1789-1939
Avery-Quash, Susanna; Pezzini, Barbara
Bloomsbury Visual Arts
, 2020
; English
; 321 Pages
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion.
This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Avery-Quash, Susanna; Pezzini, Barbara
Bloomsbury Visual Arts
, 2020
; English
; 321 Pages
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion.
This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
eBook
Corporate patronage of art et architecture in the United States, late 19th century to the present
Jovanovich, Monica E.; Renn, Melissa
Bloomsbury Visual Arts
, 2019
; English
; 311 Pages
This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. This volume offers new methodologies and models for the subject of corporate patronage, and contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States.
The case studies herein go beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this volume looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries.
eBook
Jovanovich, Monica E.; Renn, Melissa
Bloomsbury Visual Arts
, 2019
; English
; 311 Pages
This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. This volume offers new methodologies and models for the subject of corporate patronage, and contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States.
The case studies herein go beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this volume looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries.
eBook
Bragg, Charles
Journey Editions
, 2013
; English
; 259 Pages
Artist, Charles Bragg brings us a view of his own special reality--and sheds new light on what we know of our own.
In Asylum Earth, nothing is quite as it seems. Toulouse-Laurec shares a room with El Greco in "Art Heaven," while back among the living, an irate "Letter to the Editor" demands that someone go in and finish "all those impressionist paintings--why leave just an impression?"
Irrelevant and brilliantly funny, Bragg brings us a view of his own special reality--and sheds new light on what we know of our own. Witticisms, satire, and irony abound, and no profession or institution escapes Bragg's sharp eye. Often compared to Daumier, Nast, and Bosch, Bragg is a master of observation. Once our human frailties are scrutinized by his myopic gaze, we may never see ourselves in quite the same way again!
Illustrated throughout with Bragg's paintings and etchings.
eBook
Bragg, Charles
Journey Editions
, 2013
; English
; 259 Pages
Artist, Charles Bragg brings us a view of his own special reality--and sheds new light on what we know of our own.
In Asylum Earth, nothing is quite as it seems. Toulouse-Laurec shares a room with El Greco in "Art Heaven," while back among the living, an irate "Letter to the Editor" demands that someone go in and finish "all those impressionist paintings--why leave just an impression?"
Irrelevant and brilliantly funny, Bragg brings us a view of his own special reality--and sheds new light on what we know of our own. Witticisms, satire, and irony abound, and no profession or institution escapes Bragg's sharp eye. Often compared to Daumier, Nast, and Bosch, Bragg is a master of observation. Once our human frailties are scrutinized by his myopic gaze, we may never see ourselves in quite the same way again!
Illustrated throughout with Bragg's paintings and etchings.
eBook
Ningyo : the Art of the Japanese Doll
Pate, Alan Scott; Gardiner, Lynton
Tuttle Publishing
, 2013
; English
; 295 Pages
Ningyo: The Art of the Japanese Doll features over 250 unique photographs as well as extensive commentary and background history.
Japanese dolls (ningyo) have played an important role in Japanese art and culture since its earliest stages of development, as talismanic figures, centerpieces, in elaborate festivals, medical study tools, theater distractions, decorative objects, and avidly collected art forms, as well as childhood playthings. Ningyo: The Art of the Japanese Doll is the most comprehensive book on antique Japanese dolls and figurines published in English. The book focuses on the many types of Japanese dolls:
gosho: palace dolls
hina: Girl's Day dolls
musha: warrior dolls for the Boy's Day Festival
isho: fashion dolls
The principal forms of the dolls and their history, stylistic development, cultural context, and economic imperatives are discussed against the backdrop of Edo-period society and popular culture. Beautifully detailed color photographs of ningyo drawn from private collections, many of which are published here for the first time, as well as images of related materials selected from celebrated museums and temple collections, such as folding screens, woodblock prints, sculpture, painting ceramics, and textiles, help place the dolls in context. Ningyo: The Art of the Japanese Doll is a fascinating book for anyone interested in Asian doll art and doll collecting.
Pate, Alan Scott; Gardiner, Lynton
Tuttle Publishing
, 2013
; English
; 295 Pages
Ningyo: The Art of the Japanese Doll features over 250 unique photographs as well as extensive commentary and background history.
Japanese dolls (ningyo) have played an important role in Japanese art and culture since its earliest stages of development, as talismanic figures, centerpieces, in elaborate festivals, medical study tools, theater distractions, decorative objects, and avidly collected art forms, as well as childhood playthings. Ningyo: The Art of the Japanese Doll is the most comprehensive book on antique Japanese dolls and figurines published in English. The book focuses on the many types of Japanese dolls:
gosho: palace dolls
hina: Girl's Day dolls
musha: warrior dolls for the Boy's Day Festival
isho: fashion dolls
The principal forms of the dolls and their history, stylistic development, cultural context, and economic imperatives are discussed against the backdrop of Edo-period society and popular culture. Beautifully detailed color photographs of ningyo drawn from private collections, many of which are published here for the first time, as well as images of related materials selected from celebrated museums and temple collections, such as folding screens, woodblock prints, sculpture, painting ceramics, and textiles, help place the dolls in context. Ningyo: The Art of the Japanese Doll is a fascinating book for anyone interested in Asian doll art and doll collecting.
eBook
Jarves, James Jackson
Tuttle Publishing
, 2013
; English
; 294 Pages
First published in 1876, when many considered Japanese art a mere curiosity, A Glimpse at the Art of Japan presents Jarves remarkable examination of the problems of Japanese aesthetics, offering a penetrating analysis of the historical, religious, and social influences on the development of art in Japan. Supporting the thesis that art gives true expression to the aspirations of a nation, Jarves discusses such issues as: the influence of Shintoism and Buddhism on Japanese art, Buddhism as the "nursery of art", the Japanese aesthetic ideal and the Grecian form, the literature and poetry of Japan, Japanese decorative and ornamental art, and the Japanese conception of Nature—all in addition to a continuing discussion of the distinguishing characteristics of Japanese aesthetics.
Jarves, James Jackson
Tuttle Publishing
, 2013
; English
; 294 Pages
First published in 1876, when many considered Japanese art a mere curiosity, A Glimpse at the Art of Japan presents Jarves remarkable examination of the problems of Japanese aesthetics, offering a penetrating analysis of the historical, religious, and social influences on the development of art in Japan. Supporting the thesis that art gives true expression to the aspirations of a nation, Jarves discusses such issues as: the influence of Shintoism and Buddhism on Japanese art, Buddhism as the "nursery of art", the Japanese aesthetic ideal and the Grecian form, the literature and poetry of Japan, Japanese decorative and ornamental art, and the Japanese conception of Nature—all in addition to a continuing discussion of the distinguishing characteristics of Japanese aesthetics.
eBook
Oriental rugs: an illustrated lexicon of motifs, materials, and origins
Stone, Peter F.
Tuttle Publishing
, 2013
; English
; 327 Pages
This monumental reference work--long awaited by collectors and scholars--fills an important gap in the available literature on oriental rugs.
Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe--from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the rich hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings.
Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes:
Foreign terms
Place names
The Oriental Rug lexicon
Museums with notable rug collections
Oriental rug internet sites
Stone, Peter F.
Tuttle Publishing
, 2013
; English
; 327 Pages
This monumental reference work--long awaited by collectors and scholars--fills an important gap in the available literature on oriental rugs.
Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe--from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the rich hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings.
Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes:
Foreign terms
Place names
The Oriental Rug lexicon
Museums with notable rug collections
Oriental rug internet sites
eBook
Buying and selling antiques and collectibles : for fun and profit
Bingham, Don; Bingham, Joan
Tuttle Publishing
, 2012
; English
; 280 Pages
Written for both beginners and experienced collectors, this antiques guide provides descriptions of some of the more prized antiques and collectibles, and explains how to find them and how to resell them. How can you recognize depression glass? How do you find valuable antiques at garage sales? And how can you get into the antiques business yourself? Buying & Selling Antiques is the perfect resource for the antiques dabbler, the garage-sale lover, the knick-knack admirer. Written for both beginners and experienced collectors, this guide provides descriptions of some of the more prized antiques and collectibles, and explains how to find them an how to resell them. The authors offer insiders' tips on cleaning and repair, auction strategies, how to set up displays and how to find the best markets for your wares. Buying & Selling Antiques and Collectibles is the indispensable guide for those who plan to start their own antiques business or who hope to make a little money from their hobby.
Bingham, Don; Bingham, Joan
Tuttle Publishing
, 2012
; English
; 280 Pages
Written for both beginners and experienced collectors, this antiques guide provides descriptions of some of the more prized antiques and collectibles, and explains how to find them and how to resell them. How can you recognize depression glass? How do you find valuable antiques at garage sales? And how can you get into the antiques business yourself? Buying & Selling Antiques is the perfect resource for the antiques dabbler, the garage-sale lover, the knick-knack admirer. Written for both beginners and experienced collectors, this guide provides descriptions of some of the more prized antiques and collectibles, and explains how to find them an how to resell them. The authors offer insiders' tips on cleaning and repair, auction strategies, how to set up displays and how to find the best markets for your wares. Buying & Selling Antiques and Collectibles is the indispensable guide for those who plan to start their own antiques business or who hope to make a little money from their hobby.
